REFERENCES

WEBSITES

BLOGS ABOUT I-DOCS:

• Webdocu.fr - a very comprehensive French website by Louis Villers where you will find interviews, blogs, case studies and French i-docs news.
• Interactivedocumentary.net – PhD research website by Sandra Gaudenzi (Goldsmiths, University of London). You will find here critical entries about new i-docs projects, an archive of i-docs, a PhD blog and all her PhD chapters.
• Collabdocs - a blog about the intersection between documentary and Web 2.0. By Mandy Rose (Digital Cultures Research Centre, University of the the West of England).
• Interactive Documentary - a scoop it site by Annabel Roux that agglomerates i-docs blogs, tweets and articles coming from the web.
• Interactive Documentary - Section of the personal website of Arnau Gifreu (Universitat Ramón LLull / Universitat de Vic, Spain). Contains research, presentations, publications, prototypes and courses. Blend of research, teaching and production in this area.
• Documental Interactiu - Section of the personal website of Xavier Berenguer (Universitat Pompeu Fabra, Spain)

I-DOCS PORTALS:

• NFB/interactive - a portal through which to browse all of National Film Board of Canada's i-docs projects to date.
• DocShift - the most comprehensive archive of i-docs to date, by the Documentary Organization of Canada.
• Webdocs.arte - the entire collection of webdocs produced by Franco-German television Arte.

I-DOCS TOOLS:

• The Korsakow System is an easy-to-use computer program for the creation of database films. It was invented by Florian Thalhofer, a Berlin-based media artist. It is downloadable and free to use!
• Klynt is an interactive editing & publishing application dedicated to creative storytellers. It was developed by Honkyonk Films and is Flash based.
• 3WDOC is a content editor based on HTML5. The team, formed within the French agency
• Hecube, the creator of web documentaries have used for their own productions.
• Zeega is another HTML5 content editor, but this time produced by the people behind
• Mapping Main Street. Locative and geottaging options are available.  

BIBLIOGRAPHY

I-DOCS PAPERS AND PUBLICATION (BY ORDER OF PUBLICATION DATE):

• on i-docs in general: de la Peña, N. (2011). "Physical World News In Virtual Spaces. Representation and Embodiment in Immersive Nonfiction". Media Fields journal. Critical Explorations in Media and Space. University of California.
• Gifreu, A. (2011), "The Interactive Documentary. Definition Proposal and Basic Features of the Emerging Genre". McLuhan Galaxy Conference Proceedings, pp 354-365. ISBN 978-84-938802-1-7.
• Gifreu, A. (2011), "The Interactive Documentary. Definition Proposal and Characterization of the New Emerging Genre" .Hipertext 4, 2011. Digidoc Research Group. Communication Department. Universitat Pompeu Fabra.
• Lietaert, M. (2011), Webdocs… a survival guide for online filmmakers. Notsocrazy!. With the support of Idfa Doclab. Observatoire Du Documental, Documentary Network (2011), Documentary and New Digital Platforms: An Ecosystem in Transition.
• Almeida, A.; Alvelos, H. (2010), "An Interactive Documentary Manifesto". ICIDS'10 Proceedings of the Third joint conference on Interactive digital storytelling. Heidelberg: Springer-Verlag Berlin. Conference Proceedings, pp 123-128. ISBN 3-642-16637-7978-3-642-16637-2.
• Gifreu, A. (2010), "El nuevo discurso de la no ficción interactiva y su aplicación para los dispositivos móviles. El caso del documental interactivo". Geminis, 2, 19, pp 232-250. ISSN: 2179-1465.
• Gifreu, A. (2010), "El documenal multimedia interactivo. Por una propuesta de definición y categorización del nuevo género emergente". II Congreso Internacional Comunicación 3.0: Nuevos Medios, Nueva Comunicación. Conference Proceedings, pp 192-205. ISBN 978-84-615-1693-3.
• Gifreu, A. (2010), The interactive multimedia documentary. A proposed model of analysis .[research work pre PhD - Advanced Studies Diploma -]. Recercat / Catalan Research Net. Communication Department. Universitat Pompeu Fabra.
• Britain, C. (2009), Raising Reality to the Mythic on the Web: The Future of Interactive Documentary Film. North Carolina: Elon University. Choi, I. (2009), "Interactive documentary: A production model for nonfiction multimedia narratives"Intelligent Technologies for Interactive Entertainment, pp 44-55. Berlin: Springer.
• Gaudenzi, S. (2009), Interactive Documentary: towards an aesthetic of the multiple [draft PhD]. Londres: University of London. Centre for Cultural Studies (CCS) of Goldsmiths. CHAPTER 1 - 2 - 3 - 4 - 5 - 6
• Ursu, M. F.; Zsombori, V.; Wyver, J.; Conrad, L.; Kegel, I.; Williams, D. (2009), "Interactive Documentaries: A Golden Age". ACM Computers in Entertainment, Vol. 7, No. 3, Article 41, 27pp.
• Hight, C. (2008), "The field of digital documentary: a challenge to documentary theorists" . Studies in Documentary Film, Volume 2 Num 1. Bristol: Intelect Ltd, pp 3-7. ISSN 1750–3280.
• Galloway, D.; Mcalpine, Kenneth B.; Harris, P. (2007), "From Michael Moore to JFK Reloaded: Towards a working model of interactive documentary". Journal of Media Practice, 8(3), pp 325-339.
• Hosseini, M.; Wakkary, Ron (2004), Influences of Concepts and Structure of Documentary Cinema on Documentary Practices in the Internet, School of Interactive Arts and Technology, Simon Fraser University, Canada.
• Skartveit, H.-L.; Goodnow, K. (2004), "Interactive Documentary", Proceedings of DigiMedia Conference, Cairo, Egypt.
• Glorianna Davenport – where the publications (2003) of MIT's i-docs pioneer expert Glorianna Davenport can be found.
• on docu-games: Squire, K. D.; Mingfong, J.; Matthews, J.; Wagler, M.; Martin, J.; Devane, B.; and Holden, C. (2007),"Wherever you go, there you are: place-based augmenter Reality Games for learning".
• Raessens, J. (2006), "Reality play: Documentary computer games beyond fact and Fiction". Popular Communication, 4(3), pp. 213-224.
• Whitelaw, M. (2002), "Playing Games with Reality: Only Fish Shall Visit and interactive documentary". Catalog essay forHalfeti: Only Fish Shall Visit, by Brogan Bunt.